The Klingon Hamlet
by Lawrence Schoen | 
Long Day's Journey into Night
by Eugene O'Neill | 
Driving Miss Daisy
by Alfred Uhry | 
Man of La Mancha
by Dale Wasserman | 
Suddenly Last Summer
by Tennessee Williams | 
The Good Woman of Setzuan
by Bertolt Brecht | 
Happy Days
by Samuel Beckett |
Blood Brothers
by Willy Russell | 
Coriolanus
by William Shakespeare | 
Incident at Vichy
by Arthur Miller | 
A Soldier's Play
by Charles Fuller |
The Skin of Our Teeth
by Thornton Wilder | 
The Two Gentlemen Of Verona
by William Shakespeare | 
The Birthday Party
by Harold Pinter | 
The Servant of Two Masters
by Carlo Goldoni | 
The Duchess of Malfi
by John Webster | 
Mourning Becomes Electra
by Eugene O'Neill | 
The Revenger's Tragedy
by Thomas Middleton |
Come Back, Little Sheba
by William Inge | 
The Devil's Disciple
by George Bernard Shaw |
Drama / Characters: 3 FemalesSummoned to a covent, Dr. Martha Livingstone, a court-appointed psychiatrist, is charged with assessing the sanity of a young novitiat accused of murdering her newborn. Miriam Ruth, the Mother Superior, determindly keeps young Agnes from the doctor, arousing Livingstone's suspicions further. Who killed the infant and who fathered the tiny victim? Livingstone's questions force all three women to re-examine the meaning of faith and the power of love leading to a dramatic, compelling climax. A hit on Broadway and later on film.