Galileo
by Bertolt Brecht | 
The Good Person of Szechwan
by Bertolt Brecht | 
The Klingon Hamlet
by Lawrence Schoen | 
Long Day's Journey into Night
by Eugene O'Neill | 
Driving Miss Daisy
by Alfred Uhry | 
Man of La Mancha
by Dale Wasserman | 
Agnes of God
by John Pielmeier | 
Suddenly Last Summer
by Tennessee Williams | 
Happy Days
by Samuel Beckett |
Blood Brothers
by Willy Russell | 
Coriolanus
by William Shakespeare | 
Incident at Vichy
by Arthur Miller | 
A Soldier's Play
by Charles Fuller |
The Skin of Our Teeth
by Thornton Wilder | 
The Two Gentlemen Of Verona
by William Shakespeare | 
The Birthday Party
by Harold Pinter | 
The Servant of Two Masters
by Carlo Goldoni | 
The Duchess of Malfi
by John Webster | 
Mourning Becomes Electra
by Eugene O'Neill | 
Mother Courage and Her Children
by Bertolt Brecht |
In 1952, Hannah Arendt hailed Bertolt Brecht as "beyond a doubt the greatest living German poet and possibly the greatest living European playwright." His plays, widely taught and studied, are searing critiques of civilizations run amok.During the thirties, the subversive nature of his work sent Brecht from Germany to Scandinavia and later to the United States. The Good Woman of Setzuan, written during Brecht's exile and set in Communist China, is a parable of a young woman torn between obligation and reality, between love and practicality, and between her own needs and those of her friends and neighbors.