Eurydice
by Sarah Ruhl | 
Wit
by Margaret Edson | 
The Complete Dramatic Works
by Samuel Beckett | 
The Lady's Not for Burning
by Christopher Fry | 
Beautiful Mornin'
by Ethan Mordden | 
Proof
by David Auburn | 
The Paper Canoe
by Eugenio Barba | 
The Director's Craft
by Katie Mitchell | 
The Clean House and Other Plays
by Sarah Ruhl | 
The Normal Heart and the Destiny of Me
by Larry Kramer | 
Yellow Face
by David Henry Hwang | 
27 Wagons Full of Cotton And Other One-Act Plays
by Tennessee Williams | 
The Fifteen Minute Hamlet
by Tom Stoppard | 
The Real Inspector Hound and Other Plays
by Tom Stoppard | 
The Investigation
by Peter Weiss | 
Shadowlands
by William Nicholson | 
By the Way, Meet Vera Stark
by Lynn Nottage | 
The Exonerated
by Jessica Blank | 
A Delicate Balance
by Edward Albee | 
Not I
by Samuel Beckett |
An incessantly ringing cell phone in a quiet caf. A stranger at the next table who has had enough. And a dead man - with a lot of loose ends. So begins Dead Man's Cell Phone, a wildly imaginative new comedy by playwright Sarah Ruhl, recipient of a MacArthur ''Genius'' Grant and Pulitzer Prize finalist for her play The Clean House. A work about how we memorialize the dead - and how that remembering changes us - it is the odyssey of a woman forced to confront her own assumptions about morality, redemption, and the need to connect in a technologically obsessed world. Sarah Ruhl's plays have been produced at theaters around the country, including Lincoln Center Theater, the Goodman Theatre, Arena Stage, South Coast Repertory, Yale Repertory Theatre, Berkeley Repertory Theatre, among others, and internationally. She is the recipient of the Susan Smith Blackburn Prize (for The Clean House, 2004), the Helen Merrill Emerging Playwrights Award, and the Whiting Writers' Award. The Clean House was a Pulitzer Prize finalist in 2005. She is a member of 13P and New Dramatists.