In the Blink of an Eye
by Walter Murch | 
Film Directing Shot by Shot
by Steven D. Katz | 
Incredibly Strange Films
by V. Vale |
How to Read a Film
by James Monaco |
Lynch on Lynch
by David Lynch |
Images: My Life in Film
by Ingmar Bergman |
Film History
by Kristin Thompson | 
Godard on Godard
by Jean-Luc Godard |
Theory of Film
by Siegfried Kracauer |
Negative Space
by Manny Farber | 
Stanley Kubrick
by Paul Duncan | 
Everything Is Cinema
by Richard Brody | 
On Film-making
by Alexander Mackendrick | 
When Movies Mattered
by Dave Kehr | 
Who the Devil Made It
by Peter Bogdanovich |
Sleazoid Express
by Bill Landis | 
The Jaws Log
by Carl Gottlieb |
Midnight Movies
by J. Hoberman |
The Classical Hollywood Cinema
by David Bordwell |
Shooting to Kill
by Christine Vachon |
In the fall of 1957 the University of California Press expanded Arnheim's 1933 book Film by four essays and brought that landmark work back into print as Film as Art. Now nearly fifty years after that re-edition, the book continues to occupy an important place in the literature of film. Arnheim's method, provocative in this age of technological wizardry, was to focus on the way art in film was derived from that medium's early limitations: no sound, no color, no three-dimensional depth.